Image schemas are mental constructs central to human cognitive psychology. The neurobiological grounding of these structures has been suggested by experimental research both in non-human primates (Rizzolatti and Craighero 2004; Umiltá et al. 2001) and lower animals (Knudsen 2002, 1998). However, their applicability as concrete cognitive products has not been explored yet in zoosemiotics. This study shows that image schemas are highly instrumental to making sense of the impersonations of two animals featured in biology research studies and wildlife documentary films: (...) the mimic octopus (Thaumoctopus mimicus) and the Gibb’s sea spider crab (Pisa armata). In analysing the movements and postures of these animals, it is argued that image schemas underlie recurring patterns of animal bodily experience and response, which ties image-schematic structures to non-human intersubjectivity. In line with the pluralistic view of zoosemiotics (e.g. Maran, Martinelli and Turovski 2011), this paper takes an intermediary position in the continuity–discontinuity debate regarding communication in humans and animals. In this regard, the complexity of the creative behavioural models of the animals examined leaves the door open for the existence of sophisticated mental life in non-human species. (shrink)

This article proposes a method for the semi-automatic extraction of resemblance metaphor terms from a manually annotated corpus of marine biology texts in English and Spanish. The corpus was first searched for target domain terms as well as for lexical markers indicative of metaphors. The combination of these search strategies for metaphor extraction resulted in a set of English-Spanish term pairs. After analysing and comparing these metaphor candidates, a quantitative analysis provided comparative statistical data regarding marine biology metaphor. Finally, the (...) metaphorical nature of marine biology terms was verified in three ways. The first verification strategy entailed an adapted version of the Metaphor Identification Procedure (CitationPragglejaz Group, 2007). The second involved the analysis of contextual data extracted from the corpus, and the third involved the analysis of visual images from an online marine biology database and from the Google search engine. (shrink)

This study explores multimodal metaphors and metonymies in Faust, a German Expressionist silent fiction movie by Murnau. The article combines principles of psychocinematics, an interdisciplinary scientific field of enquiry, with the multimodal metaphor and expressive movement model, which looks into the temporal dynamics of metaphoric meaning-making by movie watchers. It is shown that interrelating both film-analytic approaches provides a deeper and more comprehensive insight into how figurative thought influences psycho-cognitive processes in the moviegoer’s mind as they dynamically unfold in their (...) cinematic contexts. Evidence is provided that Kappelhoff and co-workers’ proposal can be complemented and enriched by psychocinematics findings on the allocation of visual attention and eye fixation, motion and image frame sensing, and mental activity underlying emotional and diagetic experiences. (shrink)

This study discusses the mimic octopus’ acts of imitation of a banded sea-snake as an antagonistic response to enemies from a cognitive-semiotic perspective. This mimicry model, which involves very close physical resemblance and highly precise enactment, displays goal-orientedness because the octopus only takes it on when encountering damselfish, a territorial species, and not other sea animals that the octopus has been shown to imitate, such as lionfish and flounders. Based on theoretical principles and analytic tools from Mitchell’s typology of deceptive (...) acts, Zlatev’s Mimesis Hierarchy and Zlatev’s types and levels of consciousness, this research raises the possibility that T. mimicus exhibits the following attributes: bodily self-awareness; cognitive empathy, which builds upon deception and perspective-taking strategies to imagine or project itself into the place of the antagonist; and capability to reflectively reorganise the standard complete imitation pattern into a partial one in order to optimise its effect, based on conscious visual appraisal of the stimulus position. These capacities would place T. mimicus at the dyadic mimetic level on the Mimesis Hierarchy. For this reason, it is suggested that the name mimic octopus could be replaced by mimetic octopus. (shrink)